Fashion Womens: Many Artists Have This Trait And Designers Of Boots Shoes And Clothing Are No Different
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Lots of designers of women’s fashion boots don’t always appear to make boots for their public.
Well I believe I learned the truth in a round about way.
Now and then it’s not the ornate boot designs that sell out to the world. I would like to ask you a question. Why do boot designers continue to offer the public so many models covered in belts, buckles, fringe, odd es or little pieces of fur? For example, you can get those in all sizes at any online boot dealer. Then, do these styles actually sell?
Why detract from a perfectly good boot by choking the design?
a single way to explain why the primitive looking short classic Ugg Australia boot can be difficult to find in many women’s sizes must be its unencumbered look greatly appeals to people.
I notice that the simple elegant lines of the Isaac Mizrahi Saxton boot make it impossible to keep in stock. Therefore, it’s the basic models that disappear so quickly. While we didn’t make boots, the experience made me realize the factors of why should design what I considered daffy styles that had little hope of selling.
Our biggest selling surf trunk was an all grey nylon trunk.
The majority of them didn’ It made no sense to me as long as time and time again our best sellers were basic but elegant styles.
I was in charge of inventory so I saw what sold. Public sure loved it though. Oftentimes we sold thousands of them. It had classic lines and killer triple stitching but it wasn’t amazing. In another example, at one point we couldn’t move very many hats. I remember suggesting the designer also design a straightforward grey hat with a small white logo on it. It’s boring, he said but finally relented. Therefore the hat became our biggest seller. Seriously. He fought against my idea. You should take it into account. I believe there’re a couple of factors that enter into this.
Why do designers and manufacturers defiantly continue to try to produce what does not sell?
Especially in the expensive ‘highend’ women’s fashion boots.
It’s about pping themselves season after season.a lot of artists have this trait and designers of boots, shoes and clothing are no different. Then again, it’s about their art and being fabulous. It is things change. One reason I feel this happens is partly due to ego. It’s not about what the public likes until the designer loses his job for being out of uch with what the public wants. Boot designers like most creative people just look for to do what they seek for to do without a lot regard to the business end of things. Essentially, for a fine example of what often happens when art and business butt heads, look at Isaac Mizrahi.
In the end he and his company lost steam.
It’s an old argument between artists and business people.
He mainly designed fabulous clothing, shoes and fashion boots for his friends and models. He’s stop producing it as he got bored designing it, when his company would hit a style the public continued to clamor for. Every 6 months he should try to p his previous line with something more wild and crazy. That said, ultimately the store buyers will pick out what they think the public will buy and they stock those styles. I know that the funny thing is nobody really knows what will sell. They think they know but mostly they guess. They look for to offer hundreds of different looks to hopefully get more merchandise in the stores. Those styles sit on the racks, So if the store buyers guess wrong.
While branding and retail store buying, while ego is likely one reason in Then the general idea for boot and shoe manufacturers is to get as many styles out on the market that they can.a slew of ugly women’s boots are still available or soon going on sale. Fact, it was outlandish. Trunk had ns of bells and whistles on it including numerous pockets, a stay dry container and a compass. Now regarding the aforementioned fact… Funny thing happened was it actually sold a few hundred units and we were forced to make a production run of it. Besides, the designer and marketing director actually designed it gether thinking it wouldn’t sell more than 30 units. At the surf clothing company I worked we offered a surf trunk that retailed for $ This was the first of its kind since most surf trunks retailed around $ No one had ever done this before. Mission accomplished. Certainly, it was more about garnering press for our little company than anything else. In the process we did get ns of press and became known for this extravagant trunk as well as our basic best sellers.
Now ofcourse the crazy designs can get press and are sometimes designed just for that reason. Who knew that would happen? Their boots are known for this, that continues to build their brand recognition. Furthermore, again it seems funny to me that loads of the more outlandish models are easy to find but try to find a plain Harley Davidson engineer boot and you’ll be hard pressed. Harley also brands their products louder than all other boot makers by placing huge logos on nearly each style. I can’t imagine they sell some amount of those gaudy models. So that’s the very reason I believe Harley Davidson puts out so many men and women’s motorcycle boots that are adorned in crap. No other boot manufacturer has more variations of the bizarre and wild motorcycle boot than Harley does. From all this we can deduce that while ego plays a small part in the reason why more simpler women’s fashion boot designs aren’t available on the market, more of the reason lies in merchandising, marketing, and branding practices of boot manufacturers as well as the buying efforts on the part of retail store buyers.
