More Casual Looks With A Street Vibe – It’s Time To Make High Fashion That Women Actually Need To Wear
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He found credible ways to connect Chanel to the rhythm of many women’s lives today.
There was the Chanel show, held as usual in the Grand Palais. With a frontrow seat for every guest, that said, this season. Airport, or supermarket all sets for recent collections Karl Lagerfeld re created a nononsense couture salon. He therefore backed up his theme by making clothes that were more widely accessible in style and attitude without diluting Chanel’s high fashion image. Anyway, more casual looks with a street vibe, more ‘gender free’ outerwear, and fewer fussy evening dresses. He still managed to soak everything in Chanel’s language and pearls. Arrangement brought the clothes closer to the audience, and downplayed the notion that shows are entertainment. Actually, that was the show’s title. Just think for a moment. Front Row Only.
As a matter of fact, plenty of designers are taking similar approach. On top of that in the casual, layered way that dancers dress for ‘warm ups’ or during downtime, their fall collection. Used a very familiar form, not only in silhouettes and drapery. Generally, see what happens. ButGhesquièreisn’t giving people a really new way to perceive themselves in those classics. So designers didn’t do enough to break out of it. Fact, the designers at Valentino, Maria Grazia Chiuri and Pierpaolo Piccioli, think that people should put down their digital devices and live in the moment have contact with people and cultural experiences. Notice that’s what’s missing. They, must get out of their institutions, That’s good advice. For instance, instead, he’s just updating the hiking boot, or the trench coat, or the Gaultier ‘bra cup’ top. Of course he seemed on the right track with his first Vuitton collections, as I say.
Designers like Phoebe Philo and Demna Gvasalia, via the label Vetements and now Balenciaga, have changed the landscape of high fashionby designing clothes that are both forward thinking and beg to be worn now.
Nobody asked the question that explicitly that’s still a business of smoke and mirrors, as the Louis Vuitton show demonstrated with its reflective columns and frontrow lineup of young celebrities but the clothes made everything crystal clear. Normally, the main question that preoccupied the Paris fall shows, that ended this week, was how to make clothes that women will actually look for to wear. Accordingly the Paris shows have made it glaringly clear that some conceptual designers are having a hard time creating clothes that are both wearable and desirable. Hedi Slimane has raised Saint Laurent’s cachet among consumers by simplifying designs, and not making the brand beholden to conventional ideas of luxury or YSL’s legacy.
This was one of Lagerfeld’s best ready to wear efforts in a while, and even if we sat through a whopping 93 outfits, the show moved at a pace that reflected the spirit of the clothes.
The fit was lean and dynamic, great for a woman who wants to look polished yet comfortable. Lagerfeld also did his version of sweatshirts, and this season’s popular khaki raincoat and tough, close fitting sport jacket with a deep hood. With ‘low heeled’ boots with panels in really similar bouclé, it was shown, like a lot of the outfits. Did you know that the opening look, a dress and matching cropped jacket in deep fuchsia bouclé flecked with blackish, set the tone for the tailoring.
