Woman Clothing Stores: Selected Key Historical Titles
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They often give per cent discounts and have clearance sections where one can recoup the amount spent on shipping. Look for online stores that offer free shipping, So there’re many! For general instruction on using the Library’s catalog, please consult How Do I Find a Book. Then the following information is specific to the subjects of costume and fashion history. Social theory entries provide uptodate scholarly insights, and the bibliography attached to entries lead readers to the most important publications on that topic. Important ol because of its accessibility, the dictionary style alphabetical entries cover dress types, modes, materials, specialized garments, social theory and factors, historical topics, geographical dress, and significant individuals. Whenever ranging from academic dress to zoot suits, the scope is global. Now, a definitive examination of haute couture’s origins and impetus, including evaluation of the great couturiers Worth and Poiret. Nevertheless, covers the development of couture houses and their context within marketplace and consumer demand. That said, searching by subject will usually generate the most accurate and beneficial results. Usually, for individual artists or designers, you need to search by both author and subject. If you are not certain of the correct subject heading to use, you may have better luck with a keyword search on CATNYP, particularly if you are looking for a specific dress mode or historical term.
Bulk of publications on fashion history cover the period from the mid to late nineteenth century to the present, with emphasis on individual designers and their work, while costume history extends from antiquity to the modern era.
Many publications link fashion history with the development of haute couture.
Costume history studies generally consider fashion synonymous with stylistic change. Certainly, historical visual surveys, often with largesize plates, grew in popularity in the course of the Victorian era. And therefore the following titles are a sample of the Library’s large collection of landmark historical costume studies, including innovative works on national and ceremonial dress. More works began to appear regularly through the nineteenth century, lots of geared ward theater costume needs. Books with plates of costume first appeared in the sixteenth and seventeenth centuries. Also, unlike earlier efforts that concentrated on contemporary garb, these publications were intended for wealthy clients and featured quite a few historical dress depictions. By the way, a golden age of illustrated plate books therefore developed by the midtolate eighteenth century and extended into the early nineteenth century. That’s where it starts getting intriguing, right? Studies of men’s wear remained considerably less numerous than those for women, as the literature of costume and fashion history grew through the twentieth century.
Attempts at redressing this imbalance have begun over the last three decades, aided by the advent of gender studies.
Quite a few of these newer publications examine the traditional masculine diffidence about fashion, and particularly, look at the relationship between men’s clothing and popular culture.
Before ceding authority to the growing haute couture emphasis on feminine dress, men led fashion from antiquity to our modern era. I am sure that the terms fashion and style are often used interchangeably to indicate a predominant sort of dress during a given time. I’m sure it sounds familiar. Modern publications usually define the term costume as a mode of dress specific to a time period, nation, or social class. However, a bunch of these works are devoted to the business and advertising side of the clothing industry. For instance, endeavors on the basis of historical evaluation are growing, however, and more relevant ols should appear in the coming years. Accordingly the most useful ols at present cover terminology and identification of ‘subjectspecific’ theories, trends, and historical individuals. Fewer reference publications was developed than new academic preoccupation with gender, ethnicity, and social interaction is of fairly recent date.
Multi disciplinary and interdisciplinary studies offer evaluations of dress in new contexts.
Actually a large number of these publications can be found in the JF class. Gender based investigation permits broader considerations of the impact of dress on behavior and the marketplace, while social history has always been the underlying methodology of costume surveys. I know that the examples below are critical texts consulted for the Library’s exhibition on A Rakish History of Men’s Wear. There is more info about it on this website. Internet resources on costume and fashion history can be problematic. Plenty of these sites have a commercial basis or creator. So areas of contemporary fashion business, advertising, and haute couture are better represented online. Major designers often have their own sites. Fact, quality control remains a serious issue for sites that are built to feature costume history, and the actual number of such sites is limited.
Literature of costume and fashion history is diverse in nature.
Illustrated surveys of historic costume blossomed in the late eighteenth century and reached a peak by the mid to late nineteenth century.
Scholarly developments in the 1920s and 1930s produced studies in which fashion and dress received new psychological and sociological evaluation. Actually, more extensive scholarly and popular publications on historical dress began to appear by the 1970s, including exhibition catalogues from museum permanent collections and temporary exhibitions. First printed books on the subject appeared in the sixteenth century. Costume publications can be found throughout the Humanities and Social Sciences Library, from Special Collections to the General Research Division. Normally, hundreds of works on costume and fashion history, however, are located in the Wallach Division’s Art Architecture Collection, and served through its reading room.
Then the development of a scholarly literature on costume history and fashion theory is largely a product of research that began in earnest in the ‘mid to late’ 1960s.
Historical surveys provide farranging descriptions and illustrations that permit readers to view dress changes over an extended time span.
Accordingly the first important fashion theory publications, however, treated clothing as a key symptom of social change. Albeit recent scholarship is seeking to redress this imbalance, that said, this reality reflects the social perception that the fashion business is all about women’s clothing. That’s interesting. ‘womencentric’ books and magazines continue to flood the marketplace, while men largely control the fashion industry. When they’ve been able to adopt masculine trousers and suits, actually, women’s garments only really achieved new direction in the twentieth century. Hundreds of publications on costume history relate to feminine dress.
Guides to articles written on costume and fashion history can be found in the following relevant online indexes, found on the Library’s Selected Electronic Resources file under the term Art Architecture.
The Library’s website provides access to the Digital Gallery, where thousands of costume related imagery can be found.
With over a million physical images on file in folders, the Picture Collection, is located at the MidManhattan Library on 5th Avenue and 40th Street. With Now look, a limited quantity of historical costume images can be found by searching the scholarly image database ARTstor, that compiles artworks and illustrations from museum and similar cultural collections. Two sections especially, Customs and Costume. This is the case. Design and Manufacture show historical costume plates. Subject headings in our online catalog, CATNYP, derive from Library of Congress Subject Headings, available at the reference desk in Room The following categories of subject headings will provide a working guide to what kinds of headings could be used.
