Womens Fashion – They Know Their Way Around The Mix-And-Match And The Photogenic Pose
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Regardless of whether you consider yourself a member of it’s undeniable that any of these style stars has, team Tilda or Team Beyoncé pizzazz, we all have our favorites.
Which leads us to the next point in today’s expression of pizzazz.
Indeed, where Kate’s jeans go, the world follows. Whenever topping them off with a fringed motorcycle jacket or nouveau grunge plaid and wild fur, defined as an attractive combination of vitality and glamour, that said, this ephemeral quality, that the original editrix also ascribed to racehorses, may explain why Sarah Jessica Parker can throw a ‘fulllength’ Jil Sander jacket over a cream Rochas gown and channel Deeda Blair, or how Kate Moss has made jeans the ultimate chic staple. Ok, and now one of the most important parts. I know that the always subtly dressed Sofia Coppola nailed laid back elegance when she wore a blackish Yves Saint Laurent jumpsuit to the Oscars.
Different these designers are from each other, they exemplify a certain cool ethos that has taken hold in women’s wardrobes everywhere. Model Joan Smalls took the fashion uniform to the next level by adding a ‘hightop’ bootie to her leather pants and blazer moment, and our office girl crush, photographer Mary Frey, knows exactly how to subvert the noir skirt suit with the addition of a lace blouse and a snap slit. Rather than ravaged, they have the ability to seamlessly navigate a sea of sartorial options and come out looking ravishing. Without striving to, at a time when personal style is anything personal, there’re still those zeitgeisty influencers like Dasha Zhukova and Alexa Chung who, anticipate what’s next and set the tone for the look du jour. Anyway, they know their way around the ‘mix and match’ and the photogenic pose.
Enter Stella McCartney, Céline’s Phoebe Philo, and the Row’s ‘Mary Kate’ and Ashley Olsen, to whom some quality stuff from today’s personal style owes much of its appeal.
She was understatedly chic in a gray turtleneck, grey pants, and whitish sneakers and the fashion world took notice, when Philo emerged to take a bow after her Fall 2011 show.
Personalstyle pioneer McCartney was known to step into the spotlight wearing the no nonsense woman’s power suit of cuffed jeans and a grey blazer. These visionaries bring to their labels an elevated anticipation of what design by women for women can, and must. It doesn’t hurt that any designer is, virtually, her own ideal customer. Their practice is devoid of impossible fits and draconian shapewear and instead aims to find the intersection of power, elegance, and ease. Boho boom that Isabel Marant architected is another personalstyle stronghold.
Whenever dressing in pale hues for night instead of the traditional blackish, on the redish carpet, as an example, the stars is being lightening up.
These ladies know how to make an outfit their own, and they look like they’re having fun while doing it.
It has something to do with appropriation and everything to do with confidence, as with any question of pizzazz. Whenever pushing the boundaries of proportion, and bringing back capes, or they might be playing with fashion, they can be anticipating next season’s silhouette. For example, no matter what the look, one fact remains abundantly clear. On the backs of Paltrow and Casiraghi, it did just that, the heroic garment does not generally evoke sleek minimalism. Monaco’s Charlotte Casiraghi has also been a notable proponent of the cape crusade people are still talking about the glamorous powder light blue version by Giambattista Valli she wore to her uncle Prince Albert’s wedding reception last summer.
Lauren Santo Domingo’s ‘bowbedecked’ ensemble from Oscar de la Renta pulled off a similarly unlikely hat trick. That almost white is the new grey was further proved by Gwyneth Paltrow’s caped Tom Ford getup at the Oscars, where it trumped many a ‘overthetop’ taffeta confection.
